Wednesday, August 18, 2010

Confessions Of A Startup Founder And CEO

If you’ve been reading my blog for awhile now, you probably know I’m the Founder and CEO of a Network Security Consulting company. But if you really knew me, you would know that although that title may sound fancy and somewhat impressive, there is a side to it that is anything but glamorous. And when it comes to the less than glamorous side of our lives, we are reluctant to share those stories. We are more than happy to boast about tripling revenues, hiring additional employees, signing new clients and expanding our business internationally. But along the way mistakes are made and tiny tragedies take place...all which we hide, or at least don’t willingly share. So when I recently ran into an ex-girlfriend in a NY café and she asked how things were going, I didn’t lie to her, but I did omit some truth. I lied by omission. I purposely left out the less than glamorous side. Here is the confession she did not hear.

For us, payday is the 1st and 15th of every month. And every 1st and 15th of every month I sign seven paychecks, one to each of my employees and one to myself. For the past few paydays, I’ve only been signing six. No one has been laid off, fired or quit. And all my employees have received their checks in full. So you do the math.

There is a show on MTV called If You Really Knew Me. It’s a perfect example of how we all wear masks in life. Like putting our best foot forward, we also put our best face forward. In the show teens are asked to take off their masks and complete this sentence infront of their peers - "If you really knew me, you would know..." Completing that sentence sheds new light on who you truly are as a person, what it’s really like to be you. It’s not just teenagers that wear masks though, adults do too. That’s why that show came to mind when I was talking with my ex in that café. Of course when we were dating she knew me well. Although that was then and this is now. And now...

  • If you really knew me, you would know I have been working 70+ hour weeks (for weeks) without a paycheck.
  • If you really knew me, you would know that for the first 2 years of my own startup I couldn’t afford to give myself a paycheck and I NEVER thought today I would be back in that same position. For that, I feel ashamed.
  • If you really knew me, you would know that I stayed up until 4am last night crunching numbers and putting new plans into place.
  • If you really knew me, you would know that I come into work every day with a smile on my face and a positive attitude to ensure everyone around me that we are fine - that I’m not worried and their jobs are secure.
  • If you really knew me, you would know that despite how calm and confident I appear on the outside, I’m currently feeling frazzled and unsure of the immediate future.
  • If you really knew me, you would know that I’ve learned far more from my failures than my successes in life. And although this "rough patch" is definitely a learning experience for me, I refuse to allow my baby (AKA, my first startup) to become a mere "learning experience." That is not the legacy I had in mind when I gave birth to it and it’s not the legacy I want to leave behind if I should one day sell it.

I remind myself of the tremendous growth and success this company has experienced in such a short existence. And these people aren’t just my employees. I consider them my friends as well. They are like a second family to me. And while I’ve always stood by my motto "I’m your boss first and your friend second," the truth is the Mother bear in me feels obligated to protect them. So I cut myself in the process of saving them, rather than allow them to get cut and bleed on their own. If the wound was deeper, this would not be smart business. But a few scrapes I can take. I’m not going hungry or homeless. I’ve put myself in a financial situation where I am able to survive without a paycheck, at least for now.

I didn’t tell her any of that stuff because not only is it entirely too much detail, but it’s also too heavy and depressing for a passing chat. Besides, I wanted to put my best foot/face forward so I gave her the short, rose-tinted version. While I’m not looking to impress her, I’m also not looking to openly humiliate myself either. Nor did I want pity or a heroic pat on the back for taking one for the team. I just wanted to wear a simple, happy mask.

I've always admired people who can just put it out there and say..."Hey, this is who I am. I'm beautiful and ugly. There are things I'm proud of, things I'm ashamed of. Sometimes I'm smart and sometimes I'm stupid. Sometimes I win and sometimes I lose, but I always give it a good fight." And I always love hearing inspiring stories of people who continue to fight and become great successes in life. But only if their story of success includes the stories of how much they fucked up, failed and got rejected along the way. Not because I enjoy a painful journey, but because I enjoy a journey that’s real! And that’s exactly why I’m sharing this confession.

Because it’s real. Mask removed. End scene.


***NOTE***
Related post of interest. 6/9/09 - Skater Fag

Monday, August 16, 2010

Rock Art and Megafauna?








Researchers from Monash University reported recently that rock art in Australia’s Northern Territory represents Genyornis, an ancient megafaunal bird similar to an emu. This is the first reported artistry of a species that went extinct 40,000 years ago, and calls the timeline of humans in Australia into question. Further studies include excavation and dating of the site. This project and its future directions are an excellent example of archaeological sciences at their best- an archaeological team, a paleontologist, and perhaps some dating specialists will investigate this apparent chronological mystery.

Photo provided by Ben Gunn


Sunday, August 15, 2010

Time Sure Flies When We're Having Fun!

TWO PERSPECTIVES ON TIME PIECES

Jean says:
Tick tock, kiddies. The older I get, the more conscious I am of the passage of time. I'm also definitely old school when it comes to watches. I love a watch face with hands that move around the dial, not those new-fangled digital numbers with LED readouts. Vintage wind-up and automatic self-winding watches are my favorites. Forget quartz. Forget batteries. (OK, I confess. I do own and wear battery-operated watches but they are like the junk food of the watch world. It's like comparing US and People Magazine to the Atlantic Monthly.)

I started collecting watches about 35 years ago. Like collecting bakelite, collecting watches is addictive. They should come with warning labels. Once you're hooked, baby, you are hooked. Luckily, a couple of decades ago, I reached a mental and spiritual saturation point. I had enough. I didn't need more. Now, I just enjoy them.

My first job in New York City in 1975 involved quarterly trips to Puerto Rico and the U.S. Virgin Islands, so I cruised the duty-free shops in St. Thomas during the course of several trips, looking for just the perfect watch. I'd know it when I saw it, I thought. And I did. I found a rectangular gold man's Cartier with Roman numerals on a white face and a blue sapphire on the stem. Women's watches looked too tiny and girly. I liked this one for its size and heft and the fact that although it was new, it looked old. Very art deco. I wore it steadily for years, wearing out several bands in the process.

I recall one fateful morning in 1977, when it slipped out of my hands and fell into a full bathtub. I watched in horror as it hit the bottom and the crystal and face popped completely off, revealing all of its innards (little wheels and cogs). I retrieved it and dabbed it with a towel and then turned my hair dryer on it, in a feeble attempt to remove the moisture. I called Cartier on Fifth Avenue as soon as it opened and was told to bring it to the store's repair department immediately. They were fabulous. The experience was the watch repair equivalent of a team of doctors and nurses whisking a bleeding patient from the entry of the emergency room directly into neurosurgery. When I picked it up two days later, the watch had been cleaned and oiled and ran beautifully. I acquired the blue lapis band on my first trip to Santa Fe in 1983 on my way to the Balloon Festival in Albuquerque.

P.S. In 1975, I bought my boyfriend at the time a round Cartier wristwatch that was a rare design that I'd never seen before or since. While I wouldn't want the boyfriend back, I sure would like that watch. I heard years later that he'd had it stolen at Jones Beach along with his car keys and wallet. Karma's a bitch.

Wristwatches were invented by Patek Philippe at the end of the 19th century and were considered at the time to be a woman's accessory. Men started wearing wristwatches after Louis Cartier created a special one for his Brazilian friend, aviator Alberto Santos-Dumont, pictured here.


In 1904, the Brazilian aviator asked his friend Louis Cartier to come up with an alternative to a pocket watch that would allow him to keep both hands on the controls while timing his performances during flight. Cartier and his master watchmaker, Edmond Jaeger, soon came up with the first prototype for a man's wristwatch called the Santos. The Santos first went on sale in 1911, the date of Cartier's first production of wristwatches. (Photo courtesy of commons.wikimedia)

During the First World War, because soldiers needed access to their watches while their hands were full, they were issued wristwatches, called 'trench watches". Because they were made with pocketwatch movements, they were large and bulky and had the crown at the 12 o'clock position. After the war, pocket watches went out of fashion and by 1930 the ratio of wrist-to-pocket watches was 50 to 1. The first successful self-winding system was invented by John Harwood in 1923.

Since I bought my Cartier, I have acquired about a dozen vintage time pieces, all of them men's watches. It wasn't until I pulled all of them out for this posting that I realized that, although they are evenly split between round and rectangular/square faces, the majority (9) are yellow or rose gold, two are stainless steel and one is white gold. All but one have white faces. Most were acquired in the 1980s and 1990s at flea markets and antique shops and from family.

I inherited my dad's high school graduation watch by The Illinois Watch Company with a white gold engraved case and curved crystal with "John June 1932" engraved on the back. I keep it in a black velvet Sulka drawstring bag in the bottom of a round leather box on my dresser.



I also have my father's narrow yellow gold rectangular Elgin wristwatch. It was a gift from my mother. I vividly remember him wearing it in the early 1960s, when he was behind the wheel of our Ford Fairlane 500. It seems so small, especially since my dad was such a big guy. (The wristwatch equivalent of a hippo in high heels?) I was heartbroken when its original gold flexible band broke. As you can see, I've replaced it with a black faux alligator band. I love the name "Elgin" - it was the name of my favorite Blues Brother. The Elgin National Watch Company was founded in August 1864 in Elgin, Illinois, 30 miles northwest of Chicago. The company sold watches under the name Elgin and Lord Elgin until it closed its factory in 1964, after having produced half of the total number of pocket watches manufactured in U.S. The rights to the name were sold to a company that manufactures in China, so watches made after 1964 bear no relationship to real Elgins.

I used to wear my dad's round gold Waltham pocket watch on a big gold chain around my neck. The Waltham Watch Company, named after its MA hometown, produced about 40 million high quality watches, clocks, speedometers, compasses, time fuses and other precision instruments between 1850 and 1957.


This yellow gold Omega automatic watch called the Seamaster is, as the name suggests, waterproof. It is a classic design and is the iconic sports watch.






This round watch, which says "Jules Jurgensen Est. 1740" and "17 Jewels" under its imperial crown comes from good stock. Jules Jurgensen, established in the early 1770s, is one of the very oldest continuous watch companies in existence today with heritage that extends to Denmark, France and finally Switzerland, the capital of the watch making world in the 18th and 19th centuries.

This square gold Hamilton has always intrigued me. I do not know its provenance but the engraving on the back reads: "Bob with love Rosemary 11-7-56". I always wondered what happened (trouble in paradise?) that it ended up for sale at a flea market. Hamilton Watch Company, established in 1892 in Lancaster, PA, became popular for its series of railroad pocket watches (the Broadway Limited) known for their accuracy. Hamilton introduced its first wristwatch in 1917, designed to appeal to men entering World War I. In 1928, Hamilton purchased the Illinois Watch Company (maker of my dad's high school graduation watch). During World War II, production of consumer watches was stopped because all watches manufactured were shipped to troops. More than one million watches were sent overseas.

Here's what I wrote on Saturday night: "This 14 K gold Hamilton with a rectangular face and rectangular second-hand face is in pristine condition. The raised, square edged crystal hasn't got a nick or scratch ... probably because I wear it so rarely." Boy, did I jinx it. On Sunday afternoon, after I'd taken the picture in my living room in the natural light, Valerie and I went to another room to download photos to my computer. We returned to the living room to find the watch on the floor with just the crystal and outer case attached to the band. I think I launched an f-bomb. (Valerie says: Several, actually. In succession. Almost like chanting.) After fishing around under the radiator, I found the rest of the watch and snapped it back into place. Apparently, Bueller (the large ferret) had pulled down the scarf and the watch with it. Sheesh. It is pictured on a Missoni scarf.

I love the angular Arabic numerals on the busy dial of this round, gold Bulova that also says: "23 Jewels Waterproof Automatic Anti-Shock Anti-Magnetic". What else could a girl want? Jewels and accuracy! Magnetism must have been a problem or at least a perceived problem for early wristwatch wearers because "Anti-Magnetic" is engraved on the backs of many of my vintage time pieces. It is pictured on a grey and black felt scarf designed by Eiji Miyamoto for the MOMA Design Store.

This round Movado has gold symbols rather than numbers and above the round second hand face says "Anti-Dust" - which I thought sort of ought to go without saying. Movado is a Swiss luxury watch company whose name is Esperanto for "always in motion". It was founded in 1881 in La Chaux-de-Fonds, Switzerland by Achilles Ditesheim. OK, my little Munchkins, who knows what Esperanto is? Please comment and show us how smart you all are.

This round Baume et Mercier is as thin and sleek as a greyhound. It is "Swiss Made, Stainless Steel, Incabloc, Waterproof and Antimagnetic". Rather than numerals, it has steel slits marking the hours. It is pictured on a black and white cotton Japanese textile designed by Sayuri Shimoda from the MOMA Design Store.


This square watch with metallic blue hands is a "Croton Nivada Grenchen Gladiator EL" The back of the watch says "Incabloc Aquamatic Waterproof Self Winding Shock Resistent Stainless Steel". Nivada was a watch company founded in 1877 in Grenchen, Switzerland. Croton Watch Company was its U.S. distributor. And isn't "Gladiator" a simply scrumptious name for a watch? The blue band matches the hands on the dial. It is pictured on a black and grey Eiji Miyamoto felt scarf from the MOMA Design Store.

The Benrus Watch Company Inc., was founded in New York City in 1921 by three Romanian emigre brothers Benjamin, Ralph, and Oscar Lazrus. The name "BENRUS" is the combination of Benjamin Lazrus' forename and surname. Who knew? The brothers capitalized on the unexpected trend for wristwatches and the sagging demand for pocket watches in the early 1920s by producing moderately priced wristwatches. Benrus manufactured the majority of its watches at La Chaux-de-Fonds, Switzerland and went on to become the third largest American watch company. This black faced yellow gold Benrus has a very unusual 3-level beveled crystal that was obviously too exotic for this amateur photographer to capture. Sorry, kiddies.

I have had this black steel watch for 24 years. It was issued to commemorate the 100th anniversary of the Statue of Liberty on October 28, 1986. The city's fireworks display that evening was spectacular. It is pictured on a rubber tiger-print squeaking dog bone.

You'd think that with all this fire power, I'd be on time more often. You'd think...

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Valerie says:


Watch Story

When I was 14, my mother gave me a lovely delicate watch (shaped something like the one you see here, but a bit more minimalist). I don’t remember what brand it was. The face was little bigger than my thumb nail, and the band was made of two slim black cords of silk or rayon, with a dainty silver catch and safety chain. The numbers on the watch were so tiny I couldn’t possibly read them now, but then I read them effortlessly. I loved the way it disappeared on my wrist, so as not to distract attention from my face or figure or clothes.

When I was 16 and in my senior year of high school, I snagged my first boyfriend, Walter, who was 20. Something of a cross between a David Cassidy and a young Malcolm McDowell, Walter had his faults (and in the fullness of time I found out just how many), but the way he kissed made you forget them. Or not forget them, but not care about them either.

If they’d awarded blue ribbons at the county fair for kissing, I think Walter would have won every year until he retired undefeated. Mothers, if you don’t want your good girls to go bad, get them a boyfriend who doesn’t know how to kiss.


Like so many high school seniors then, when I had the choice between taking calculus and ceramics, I chose ceramics. One of my first projects was to make a hanging planter for Walter. It was going to be a huge thing, with ropes, and my teacher told me I would need a large quantity of sand in a bag around which to shape the planter. The ceramics teacher kept a supply of sand for just this purpose, but didn’t have enough for a project of the size I had in mind, so one day in November I went down to Coney Island – a short subway ride away – to get some.

I was on the beach scooping up sand for my project when I noticed a man under the boardwalk. He was naked and alone. He beckoned me with one hand, and perhaps I don’t have to tell you what he was doing with the other. This was the 1970s, and New York City had a well deserved reputation for crime. I didn’t want to be prevented from getting my sand, but I also didn’t want to find myself suddenly and unwillingly under the boardwalk with the gesticulating man. So I went up the nearby staircase where two young men were leaning against the railing, and explained my predicament to them. Would they mind keeping an eye on me, I asked, till I finished scooping up the sand I needed? They agreed, and in a few minutes, mission accomplished, I came back up to the boardwalk to thank them and go home.

One of the men asked if we could go out on a date. I had Walter. I wasn’t interested in anyone else, and told him so, nicely. But he persisted – after all, you never know when you’re going to break up, he reasoned – and asked if he could just call me from time to time in case I changed my mind. At 16, I hadn’t learned the art of saying no tactfully, and besides, wouldn’t it be nice to have a periodic caller waiting for a spot on my dance card? So I gave him my number. I seem to think his name was Stewart, and that’s what I’ll call him here.

Stewart was tall and slim, with dark curly hair and a moustache - not a bad looking guy. But when he told me he was a teacher in the New York City school system, my antennae went up. When I asked his age, and he told me he was 24, I had to marshall all my will not to giggle. What 24 year old wants to date a 16 year old - even a really cool 16 year old, I wondered. (I now realize that even 90 year old men would ideally like to date a 16 year old, but back then I thought – and still think – that a guy that age who’s fishing in the wading pool isn’t a guy a young girl should want to get hooked by.) (On a separate note, had he been Peter O'Toole [above], none of the above would have applied. At all.)

Stewart probably called me a week later. Geez. Did he have that little faith in my ability (or my desire) to hold on to Walter? And so it went. Every few weeks or so Stewart would call, and I would tell him I was still with Walter.






Until one day I wasn’t. (Walter probably found someone closer to Stewart’s age).








And so it was that several months after our first bizarre meeting, Stewart and I arranged to go out. It’s hard for me to be certain one hundred years later, but Stewart and I could only have had a maximum of three dates, because Stewart couldn’t kiss. Walter had offered me kisses akin to filet mignon with butter sauce, and poor Stewart countered with a McDonald’s hamburger with smears of intermingled ketchup and mustard, topped with a slice of pickle.

To be exact, Stewart inserted his tongue into my mouth the way one might insert a plug into a wall. It was just in there, hard and pointy, and it wasn’t going to move and it wasn’t going to come out.

Not being a wall myself, I was hard put to know what to do with it, or what he expected me to do with it. Electrocute it? Nibble on it? Thrust likewise with my own, and engage in lingual fencing? I was flummoxed, but only for a moment. A girl looking for her second boyfriend wants someone who will outdo the first in every way. I refused to teach the teacher. Stewart had to go.

I was raised to be polite, and would not have dreamed of criticizing Stewart’s kissing. Instead, I probably told him that I was still smarting over Walter, and that I was not ready to start dating again yet. Stewart dropped me off in front of my home and drove away.

Very soon after that, I realized that I didn’t have my watch, the safety chain for which had recently broken and needed to be repaired. I looked in all the usual places for it, to no avail. My heart nearly stopped when I realized it might have fallen off my wrist in the middle of the street when I got out of Stewart’s car, and gotten crushed by passing traffic. I looked where Stewart had dropped me off, but found nothing. Possibly someone had picked it up, I thought. But if I was lucky, it had fallen in Stewart’s car.

I called Stewart the next day. He confirmed that he had found my watch in his car, and said he would bring it around, which I thought was very sweet of him. Time passed, and he didn’t bring it around, so I called to ask again.
Again Stewart said he would bring the watch around, and again he didn’t. I think I probably called one last time, more or less realizing that Stewart had no intention of giving me back my watch.



And so it is with the dance of the sexes (the genders?), where “I’m not ready to go back to dating yet” is code for “oh my god, you're 24 and don’t know how to kiss”, and “yes, I found your watch, and I’ll drop it off” really means “it’ll be a cold day in hell before I waste any more gas money on you”.



I’ve had lots of watches since then. I had a purple Philippe Starck, two red ones from MOMA, one mounted in a black round plastic bracelet, one mounted in a bouncy red rubber undulating band, and a hilarious red and yellow water-filled domed watch in which floated a tiny die. The Swatch I have now is on its second red plastic band, the first having been chewed to death over the course of many years by my 16 year old cat who savored the texture of any soft plastic. But when Jean said she wanted to blog about her watch collection, the only watch I could think to write about was the tiny nameless piece my mother gave me when I was 14.

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A fond welcome to our first readers from Nicaragua, Colombia and Venezuela!

Tuesday, August 10, 2010

CHARISMA program - proposals due 15 Spet. 2010

CHARISMA (Cultural Heritage Advanced Research Infrastructures: Synergy for a Multidisciplinary Approach to Conservation/Restoration) is an EU-funded integrating activity project carried out in the FP7 Capacities Specific Programme "Research Infrastructures".

The project provides transnational access to most advanced scientific instrumentations and knowledge allowing scientists, conservators-restorers and curators to enhance their research at the field forefront. Specialists from arts and sciences, design and set-up new instrumentations and methodologies developing the  most promising technological applications and sustainable solutions to improve diagnostics and monitoring. New extended cooperation among European infrastructures, paves the way towards expanding the harmonisation of best practices in studies and conservation.

The CHARISMA transnational access (TA) programs offer European scientists a to carry out their experiments utilizing 3 different and complementary groups of facilities (ARCHLAB, MOLAB and FIXLAB) through a service embedded in a multidisciplinary environment involving material science and artwork conservation/restoration.

* FIXLAB provides access to large and medium scale European installations, including the beamlines of one synchrotron radiation, one neutron source and two ion-beam analytical facilities;
* MOLAB offers access to a portable set of advanced analytical equipment, for in-situ non-invasive measurements on artworks, without any movement of the artefacts from their location and any contact with the surface;
* ARCHLAB permits the access to the structured scientific information and analytical data, stored in the archives of the most prestigious European museums and conservation institutions.

In a program that covers joint research, transnational access and networking, the planned challenging activities require a combined effort and commitment of an high-level partnership of twenty-one organizations to provide access to advanced facilities and develop research and applications on artwork materials finalised to the conservation of cultural heritage and favoring the opening of larger perspective to the heritage conservation activities in Europe.

The access activities are supported by 3 outreach programs as networking (NA) cooperation activities, with the intent to achieve a permanent interoperability among the European institutions of the CHARISMA consortium and those external to it. The activity fosters the culture of international cooperation, providing harmonisation of methodologies, sharing knowledge and best practices on conservation projects, adopting progressive standard compatibility, and providing education, training, users' awareness events, technology transfer and dissemination of project results.

3 Joint Research activities (JRA), intend to exploit advanced technologies and techniques as well as most promising applications and integrated solutions, to complement the project scheme providing innovative instrumentations and methodologies tailored to the user's needs.

How To Be Alone

If you are at first lonely, be patient. If you’ve not been alone much, or if when you were, you weren’t okay with it, then just wait. You’ll find it’s fine to be alone once you’re embracing it.

We can start with the acceptable places - the bathroom, the coffee shop, the library. Where you can stall and read the paper. Where you can get your caffeine fix and sit and stay there. Where you can browse the stacks and smell the books. You’re not supposed to talk much anyway, so it’s safe there. There is also the gym. If you’re shy, you can hang out with yourself and mirrors. You can put headphones in. And there’s public transportation, because we all got to go places. And there’s prayer and meditation. No one will think less if you’re hanging with your breath seeking peace and salvation.

Start simple. Things you may have previously avoided based on your avoid being alone principles.



(written and performed by Tanya Davis)

The lunch counter. Where you will be surrounded by “chow downers.” Employees who only have an hour and their spouses work across town. And so they, like you, will be alone. Resist the urge to hang out with your cell phone. When you are comfortable with “eat lunch and run,” take yourself out for dinner - a restaurant with linen and silverware. You’re no less intriguing a person when you are eating solo desert and cleaning the whip cream from the dish with your finger. In fact, some people at full tables will wish they were where you were. Go to the movies. Where it’s dark and soothing, alone in your seat amidst a fleeting community.

And then take yourself out dancing, to a club where no one knows you. Stand on the outside of the floor until the lights convince you more and more and the music shows you. Dance like no one’s watching, because they’re probably not. And if they are, assume it is with best inhuman intentions. The way bodies move genuinely to beats is, afterall, gorgeous and affecting. Dance until you’re sweating. And beads of perspiration remind you of life’s best things. Down your back like a brook of blessings.

Go to the woods alone. And the trees and squirrels will watch for you. Go to an unfamiliar city. Roam the streets. They are always statues to talk to. And benches made for sitting gives strangers a shared existence if only for a minute. And these moments can be so uplifting and the conversation you get in by sitting alone on benches might have never happened had you not been there by yourself.

Society is afraid of alone though. Like lonely hearts are wasting away in basements. Like people must have problems if after awhile nobody is dating them. But lonely is a freedom that breathes easy and weightless. And lonely is healing if you make it.

You can stand swathed by groups and mobs or hold hands with your partner. Look both further and farther in the endless quest for company. But no one is in your head. And by the time you translate your thoughts some essence of them may be lost. Or perhaps it is just kept. Perhaps in the interest of loving oneself. Perhaps all those sappy slogans from pre-school over to high school groaning were tokens for holding the lonely at bay. ‘Cause if you’re happy in your head, then solitude is blessed and alone is okay.

It’s okay if no one believes like you. All experiences unique. No one has the same synapses. Can’t think like you. For this we’re relieved. Keeps things interesting. Life’s magic brings much. And it doesn’t mean you aren’t connected. The community is not present. Just take the perspective you get from being one person in one head and feel the effects of it. Take silence and respect it. If you have an art that needs a practice stop neglecting it. If your family doesn’t get you or a religious sect is not meant for you, don’t obsess about it. You could be in an instant surrounded if you need it. If your heart is bleeding, make the best of it. There is heat in freezing be a testament.

Sunday, August 8, 2010

All right, Mr. DeMille, I'm ready for my cucumbers

Jean says: Hallelujah, dear readers! We've reached (and surpassed) our one year mark! We're taking time out of our busy schedules to celebrate the fact that the Idiosyncratic Fashionistas are still here and managing to have a good laugh if not the last laugh. In light of the dour economic forecasts, we decided to exercise fiscal restraint and staged our own mini staycation and spa. Girls still wanna have fun! Having had the morning from hades (trapping and rescuing some feral cats in a hot and dusty Chinatown parking lot), I was thrilled to spend a couple hours in air conditioning, planning and staging our photo shoot. Once I was positioned in my towel and the cold cucumbers hit my eyeballs, I was practically out like a light.

Valerie says: Jean's mask is a truly lovely shade of blue (almost Matisse-like, particularly in combination with the rich red lipstick), while mine is such a pale green as to appear nearly white in the photos. Perhaps because my Queen Helene mint julep masque is designed to treat acne, it dries quickly, while Jean's remains moist and mayonnaise-like much longer. (Jean says: Hoarder alert! When Valerie mentioned using mud packs, I dug around in one of my drawers and retrieved the tube with the blue mask used in the photos. The front label says: "Naturistics Spa Face and Body Mud Mask - Sea Mineral with sea kelp, sea fennel & vitamin E. Never tested on Animals." In even smaller print on the back of the tube, it says: "Del Laboratories, Inc. 1997." It is a true testament to the longevity of their product and packaging that both still work beautifully 13 years after manufacture. What it says about my storage habits is quite another thing all together. The fact that I could immediately locate and retrieve the tube is the positive side of that equation.)

Jean says: Since the first anniversary is "paper" (25th is silver and 50th is golden), we have appropriately attired ourselves for the auspicious occasion in the August 7th edition of the New York Times. Ms. Valerie is modeling two selections from the arts section featuring colorful photos of Mark Morris Dance Company. In light of the fact that unemployment is stalled at 9.5% and the recovery is turned on its head, yours truly is wearing an askew view of the business section.

Valerie says: You can see that Jean has been out and about, robustly tanning in the process, while yours truly remains pale as a hothouse flower.

In addition to the final product, we wanted to share our outtakes of this week's shoot.

Jean says: We tried to line up the shots, artistically arrange the river stones, etc., BEFORE we were covered in quick-drying mud masks. As you can see, things rapidly got out of hand.






Valerie says: I loved Jean's idea of putting the painted wooden cubes on her eyes. On a roll, Jean was inspired to put these on my eyes. I think this is how most people feel after a day's work. (Jean says: Valerie's look is at once both space alien and insect-like. I was laughing so hard when I snapped the shot that I tripped and almost stepped on her.)


Jean says: As you can see, I cannot keep a straight face. I want to know how Valerie managed to appear positively regal in demeanor when encased in clay. (Valerie says: the thought of having to wash off and reapply the mask, cracked by a mere moment's indiscreet laughter, was a wondrous incentive for keeping a straight face.)

Valerie's impression of how Little Orphan Annie would look at the spa.









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P.S. Style Alert:
Jean says: Reading Pamela Paul's article in today's New York Times' Sunday Styles about Stephanie Dolgoff's new book "My Formerly Hot Life: Dispatches from Just the Other Side of Young" was extremely self-affirming. It is heartening to have one's own opinions mirrored in print. Ms. Dolgoff is not the first to notice that "What makes retro look cute is the discrepancy between the person's age and the era it came from." Having recently watched "Woodstock" and laughingly appreciated John Sebastian's tie-dyed outfit and Roger Daltry's fringed jacket, I was also acutely aware of the need to admire those looks from afar, rather than resurrect some treasures from storage. Likewise, it was less than earth-shattering to learn that shoes are Ms. Dolgoff's greatest challenge. ("You do need to be able to walk. I'm done sacrificing to look good. I don't want to hurt anymore.") Hello? Valerie and I say: Welcome to our world, Ms. Dolgoff! Perhaps the added pressure for chic, comfortable footwear from this newly-monikered demographic known as "Formerlies" (as in formerly hot) will provide the tipping power to that of "women of a certain age" so that shoe designers will finally sit up and take notice. As our regular readers know, shoes are one of our recurring themes. There is a largely untapped women's shoe market hungering for glamor ... without pain. Pass along the drumbeat.

Timberhenge at Stonehenge

One of my favorite tourist destinations ever has been Stonehenge. I was fortunate enough to visit there twice. The second time my wife and I walked in from several kilometers away, which made a special impression of Stonehenge as part of the landscape.

Archaeometric studies have played an important part of Stonehenge-based research, including chronometric dating and the provenance of the megaliths. Some of this work is reported upon in the book Science and Stonehenge.

Recently,an outer circular ditch around Stonehenge was located using ground penetrating radar. The ditch, which had once been filled with poles, has been named timberhenge. One of the investigators was Wolfgang Neubauer from the University of Vienna. I had the pleasure to hear him give a public lecture this past Spring during my sabbatical stay in Munich. His well-illustrated and engaging talk, in a schoolhouse in a small town, drew about 300 people, which amazed me.  How nice to see people interested in their cultural heritage.